This course surveys the history of cinema from the end of the nineteenth century to the middle of the twentieth century. Moving chronologically, we will track a variety of national schools and international trends of filmmaking in order to analyze the global development of film exhibition practices, the emergence of film audiences, and more broadly cinema’s role within the public sphere. We will examine the formal, industrial, and cultural changes of the medium from cinema’s emergence through the conversion to sound in the late 1920s. We will also explore the variety of national and international movements form the 1930s to the 1940s—including German and Soviet cinemas, classical Hollywood cinema, international avant-gardes, and proposals for studio filmmaking from the Global South. Through taking a broad and comparative approach to the history of cinema, we will gain critical perspective on the forces that shape the medium’s profoundly transnational character.
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Bonjour Tristesse (Otto Preminger, USA, 1958,…
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La Casa del Ángel (Leopoldo Torre Nilsson,…
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Paisan (Roberto Rossellini, Italy, 1945,…
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La Grande Illusion (Jean Renoir, France, 1937,…
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Steamboat Willie (Walt Disney, USA, 1928,…
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Little Caesar (Mervyn LeRoy, USA, 1931, 80’)
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London Can Take It! (Humphrey Jennings/Harry…
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Rain (Joris Ivens, Holland, 1929, 14’)
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Berlin, Symphony of a Great City (Walter…
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Les Raquetteurs (Michel Brault/Gilles Groulx,…
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The Last Laugh (F. W. Murnau, Germany, 1924,…
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The Seashell and the Clergyman (Germaine Dulac,…
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Meshes of the Afternoon (Maya Deren/Sasha Hammid,…
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Just Pals (John Ford, USA, 1920, 50’)
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